Showing posts with label paper cutting. Show all posts
Showing posts with label paper cutting. Show all posts
MY FAVORITE CHRISTMAS BOOK FOR 2011
If you're familiar with Pamela Dalton's work, you'll know why I was so excited to find out she's published a Nativity book. Her collaboration with Katherine Paterson, Brother Sun, Sister Moon: St. Francis of Assisi's Canticle of Creatures, has already made it into the NY Times Book Review's "10 Best Illustrated Children’s Books of 2011". Watch the YouTube clip below to see how she works at creating her stunningly detailed paper cut images.
Pamela Dalton's The Story of Christmas (with text from the King James Bible) is one of the most striking renderings of the Nativity story that I have ever seen. Using this medium of paper cutting, which is rooted in the Pennsylvania-German folkart of Scherenschnitte, Pamela's intimate appreciation of medieval and Renaissance Italian art captures the profound, yet simple beauty of the Nativity story. Her artwork is at once stunning, yet reverent, delicate, yet alive with color against a black backdrop that evokes the cold and solitude Mary and Joseph faced in finding lodging for the night of her expected birth. I'll let the illustrations speak for themselves...
SU BLACKWELL HAS A REAL PASSION FOR BOOKS!
See if you can spot sculptures from THE SECRET GARDEN, NARNIA, ALICE IN WONDERLAND, THE SNOW QUEEN, PETER PAN, THE TWELVE DANCING PRINCESSES, and THE WIZARD OF OZ in this Youtube video of Su Blackwell's Book Sculpture Art:
"I often work within the realm of fairy-tales and folk-lore. I began making a series of book-sculpture, cutting-out images from old books to create three-dimensional diorama's, and displaying them inside wooden boxes...
For the cut-out illustrations, I tend to lean towards young-girl characters, placing them in haunting, fragile settings, expressing the vulnerability of childhood, while also conveying a sense of childhood anxiety and wonder. There is a quiet melancholy in the work, depicted in the material used, and choice of subtle colour...
Paper has been used for communication since its invention; either between humans or in an attempt to communicate with the spirit world. I employ this delicate, accessible medium and use irreversible, destructive processes to reflect on the precariousness of the world we inhabit and the fragility of our life, dreams and ambitions." -Su Blackwell (click on her name to go to her website.)
Music by Budd, 'How Vacantly You Stare at Me'.
If you liked this post about these amazing book sculptures, you might also enjoy my post about dress sculptures/paper dresses.
"I often work within the realm of fairy-tales and folk-lore. I began making a series of book-sculpture, cutting-out images from old books to create three-dimensional diorama's, and displaying them inside wooden boxes...
For the cut-out illustrations, I tend to lean towards young-girl characters, placing them in haunting, fragile settings, expressing the vulnerability of childhood, while also conveying a sense of childhood anxiety and wonder. There is a quiet melancholy in the work, depicted in the material used, and choice of subtle colour...
Paper has been used for communication since its invention; either between humans or in an attempt to communicate with the spirit world. I employ this delicate, accessible medium and use irreversible, destructive processes to reflect on the precariousness of the world we inhabit and the fragility of our life, dreams and ambitions." -Su Blackwell (click on her name to go to her website.)
Music by Budd, 'How Vacantly You Stare at Me'.
If you liked this post about these amazing book sculptures, you might also enjoy my post about dress sculptures/paper dresses.
HUNDREDS OF PAPER DRESSES
Have you read the book, THE HUNDRED DRESSES
by Eleanor Estes? Lois Slobodkin's beautiful watercolor illustrations echo the wistful tone of this classic story. Never out of print since its 1944 publication, this tender story offers readers of all ages a timeless message of compassion and understanding. At its heart is Wanda Petronski, an immigrant girl in an American school, who is ridiculed for wearing the same faded blue dress every day. When she tells her classmates that she has one hundred dresses at home, she unwittingly triggers a game of teasing that eventually ends in a lesson for all.
Many of us, even as young girls, were drawn to beautifully made dresses, fancy frills, and fashion! My first exposure to haute couture was probably from the Hollywood musical, FUNNY FACE
Haute couture is French for "high sewing" and refers to custom-fitted and designed clothing, made to order for a specific customer. I recently came across a different kind of couture: dress design as art, in the form of dress sculptures and paper dresses.
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| Here's a dress made out of phonebook pages, by Jolis Paons. |
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| I love this miniature paper-cut, by Elsa Mora. |
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| Lady Dulcinea, Anthropologie Rockefeller Center Gallery, 2008 |
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| Ruffian Paper Doll, 2009 (photo, Geoff Green) |
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| The train on this dress is made up of 1,000 paper cranes! (by Yuliya Krypo, made from recycled newspaper) |
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| This dress sculpture is made of book pages, milled paper, typewriter parts, linen rope and binders. |
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| Close up of details. |
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The "Word Dress", made entirely from the pages of books, was designed and hand crafted by Lancashire bridal designer, Jennifer Pritchard Couchman. |
Inspired? Make your own newspaper dress like the one below! Click HERE for a step-by-step tutorial.
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