The Consequences of Closing University Presses



In a story covered by the Chronicle, but not widely in extracurricular news venues, it was announced that the University of Missouri would phase out its press beginning this July. As the article’s author, Jennifer Howard, points out, “Such announcements about other university presses have often spurred protests and attempts to save them, but so far at least, the news about the Missouri press has been greeted quietly.” This is, in itself, is quite remarkable. While not Harvard or Chicago, we’re talking about the press of a major public flagship state university. It publishes about 30 books a year, and is home to the collected works of Langston Hughes, Mark Twain, and Harry Truman.


The rationale: “Although the Missouri legislature did not cut its budget for higher education this year, Timothy M. Wolfe, the university system’s president, said it was essential ‘to be good stewards of public funds, to use those funds to achieve our strategic priorities, and to re-evaluate those activities that are not central to our core mission.’” Apparently, the press isn’t central to the university’s core mission. Howard wonders whether the Missouri story isn’t “still too fresh, noting that there were howls of protest when Louisiana State tried to shut down its press in 2009, and when the University of Arkansas tried to shut down its press in 1998, or when, in 2010, Southern Methodist University suspended its press’s operations, promising to resume in another form.
“In another form” might immediately bring to mind a digital solution, a list of e-books that will simultaneously increase access to the press’ list and reduce costs. But as Jennifer Crewe, editorial director at Columbia University Press, explained presciently nearly a decade ago, digital publication isn’t a panacea, because most of the labor in publishing a monograph is still human:
The time it takes to evaluate the field and get to know the author; assess the value of the book and its potential market; solicit peer review; judge the book’s suitability for a press’s particular list and its contribution to the field; publicize it, by sending review copies to journals, preparing press releases; pitching it to book-review editors, perhaps booking the author on public radio shows or book tours and entering the book in prize competitions; announcing the book in catalogs and flyers; exhibit it at conventions; advertise it and pitch it to buyers at wholesalers and chains and the independent stores.

MAY IS GONE AND IT'S TIME FOR NANCY DREW

Rest is not idleness, and to lie sometimes on the grass on a summer day listening to the murmur of water, or watching the clouds float across the sky, is hardly a waste of time. ~John Lubbock

Memorial Day weekend is over and June has begun, bringing with it the promise of warm sunny days as the school year winds down.  Mom and Dad's taxi service gets a bit of a rest and there is unscheduled time for kids to be creative, get outdoors, and just lie around reading - for fun!

Starting the summer I was about nine or ten, a search began in earnest for "chapter books" that I could get lost in.  I think it all began with the adventuresome and wacky Pippi Longstocking books, moving on to the Little House series.

Finally, the summer I was eleven or twelve, I was solving mysteries with Nancy Drew. (What is it that we love so much about red-headed heroines? Have you read my post about Lauren Child's illustrations for Pippi Longstocking and Anne of Green Gables?)

Some of my old Nancy Drew books - remember Bess and George,
and Nancy's blue roadster convertible?
As my children became independent readers, I encouraged them to find fun books for summer reading.  It brought me back to my own childhood to see them curled up with a good book on a lazy summer day.

I've decided to dedicate my June posts to reviewing/reposting some of our favorite summer picks for independent readers who want fun chapter books.  I've started a list below - watch for my posts about these great books.  And let me know which of your favorites I've left out!

THE GREAT BRAIN
SUMMER OF THE MONKEYS
THE PENDERWICKS
TOM'S MIDNIGHT GARDEN
PETER PAN
CHARLIE AND THE CHOCOLATE FACTORY
(and other books by Roald Dahl)

News from Publishing Perspectives


Publishing Perspectives' inaugural children's book conference offered up some fascinating answers to the question of what makes for a truly great kid's book. 

BookExpo America next week from June 5-7 and we'll be there. If you'd like to meet with one of our team, please contact us. 

An English teacher can teach you grammar, but they can also put your books in students’ hands, serve as your Pied Piper and help you sell many more books. 

Nickelodeon Global Publishing SVP Paula K. Allen discusses the most important financial considerations children's publishers face in a digital age. 

E-books represent just 0.25% of the Russian book market and growth has been hampered by piracy, legal issues, and reticence, still consumer demand is growing. Read more »

MAKING HAY at the Hay Festival 2012

An unofficial blog about the Hay Literary Festival at Hay-On-Wye
Telegraph Bags Paul Smith for Tote Design
The Tote bags have come free with newspapers have been a long standing tradition at the Hay Festival. There are a ubiquitous sight at the site. I have no idea when they first appeared, but I acquired quite a collection of Guardian bags over the years.
Amongst the reactions to the change in sponsor last year was a desire amongst some aficionados of The Guardian not to promote The Telegraph by carrying their bags. Frances Ham commented on this blog ”Loyal Guardian readers will be washing, starching and ironing their treasured but shabby collections of free-with-the-Guardian bags. They will then carry these around defiantly at this year’s Festival.”
The Telegraph has broken new ground this year with a designer bag. They invited Sir Paul Smith to exclusively design the book bag for this year’s Hay Festival. As ever the bag is free with copies of The Telegraph – you need to buy the paper. Perhaps the Guardinistas that are also fashionistas may be persuaded to slip one over their right shoulder.

Quake-delayed Writers’ Festival returning to Christchurch


 The Press Christchurch Writers’ Festival is reclaiming its place in the city’s cultural calendar this spring, after a lengthy four-year wait. The biennial festival began in 1997 and is the biggest event of its kind in the South Island. It last ran in 2008 and was postponed in 2010, when the 4 September earthquake struck five days before it was due to start. Organisers were then forced to abandon a scaled-down version in 2011, after the 22 February quake destroyed most of the city’s venues. 
 Since last year, the festival has been running satellite events to keep book-loving Cantabrians satisfied, but with a new venue in the Geo Dome in Hagley Park, the full festival is set to return from 30 August to 2 September. Festival Director Marianne Hargreaves says it's exciting to be staging a festival at last. ‘With so many iconic Christchurch cultural hubs out of commission, we’ve been impatient to bring this great festival back to the city. On the plus side, the delay has allowed us to put together a great programme that we think will make the wait worthwhile!’ 
 The festival’s big drawcards this year include top international writers Joanne Harris (UK), author of Chocolat; John Boyne (Ireland),(left-Line Drawing from Noah Barleywater), author of The Boy in the Striped Pyjamas; John Lanchester (UK), novelist and financial commentator; author Chris Cleave (UK) and Kate Grenville (Australia). There is also a strong line-up of New Zealand writers, including Emily Perkins, Tim Wilson, Laurence Fearnley, Joe Bennett and Nicky Hager


Joanne Harris, John Boyne and John Lanchester are being shared with the Melbourne and Brisbane Writers’ Festivals, a partnership that Hargreaves says highlights the growing presence of literary events in the arts scenes of major cities. ‘Writers’ festivals internationally are becoming much bigger events with wide appeal. It’s increasingly common for popular books to have movie adaptations, which have a huge reach, and in turn, that’s bringing more people back to the texts and turning writers into celebrities. So these festivals are attracting big, varied audiences and people are finding that you don't have to be a bookworm to get something out of it. It’s really much more about hearing interesting people tell great yarns.’


The full programme for The Press Christchurch Writers’ Festival 2012 will be released on 13 July. Visit http://chchwritersfest.co.nz for more information on sessions and bookings.

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